Architectural Review - Crosstown Concourse was selected to Architectural Review's shortlist of 15 adaptive reuse projects across the world for the AR New into Old awards. The shortlist was selected by an esteemed jury that includes British architects Michael and Patty Hopkins, co-founder of Neri & Hu, Lyndon Neri, and deputy chairman of the Twentieth Century Society, Timothy Brittain-Catlin.
Crosstown is the only project located in the U.S. to be selected to the shortlist.
The winning project along with any highly commended projects and finalists will be announced and published in the AR’s December/January issue at the end of the year. Read more.
“For the first four years the primary question was ‘You want to do what?’” said Tony Pellicciotti, principal with LRK Architects who has been working on the project for the past six and a half years. “We all knew this building was impossible to do. This building was a wreck inside. But it all starts with a big idea.” Read more.
The Daily News - A 450-seat theatre on the Crosstown Concourse campus will attract national acts and boost the local arts scene. LRK's design for the 28,000-square-foot building is notable for its flexibility with elements such as a sprung wood flood stage, retractable seating and a modular open floor allowing for any number of configurations from theater-in-the-round to a proscenium with raked seating. Read more.
The Daily News - While the outside of the old distribution center for Sears, Roebuck, & Co. may look similar, more than 400,000 brings and 3,200 windowpanes have been replaced in the tower. LRK's Tony Pellicciotti is heading up the the building's conversion to the the Crosstown Concourse, described as a vertical urban village, which is set to open in January 2017. Read more.
The Daily News Video interviews Overton Square stakeholders including developer Bob Loeb of Loeb Properties, Ekundayo Bandele of Hattiloo Theatre, Jackie Nichols of Playhouse on the Square, and June West of Memphis Heritage. The underlying assumptions, expectations, and hopes of the stakeholders are discussed within the historical context of the Square and its re-emergence as vital arts & cultural district in the heart of Memphis.